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- An idea made successful by design
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- A few minutes with Glamour magazine
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- A brief ode to the power of type
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- Strolling through the mall one day . . .
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- Does the client know best?
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- The meddling client
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- What I like best about graphic design
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- Designing under the influence . . .
- The most important rule of logo design
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- The best colors for a logo?
- A little more Zen . . .
- The perfect book cover?
- Should I design my résumé?
- Color type in three easy steps, followup
- Color type in three easy steps
- Fun with glyphs
- Isomorphism: Have you read it? Let’s talk.
- Logos of Le Tour de France
- Has your design job gone overseas?
- Designing (or not) a non-profit brochure
- Design is all we’ve got!
- Name that decade!
- Nobody tells this to beginners
- Eight things we’ve learned about video
- Color logo, black & white fax . . .
- Once I had a secret love
- Oh, the logo by committee!
- Art. Design. What’s the difference?
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- Color: Why close enough is good enough
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- The best ad I’ve ever seen
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- Letters, the round parts
- Can you design without limits?
- Eight design tips for the Web
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- The soul of the Empire
- Does Sochi’s Olympic logo work?
- A light Christmas typeface
- Which polish would you buy?
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- Career Day
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- The non-design design
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- The skill designers lack and other small tips
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- Ode to the amateur logo
- Does Pepsi’s new logo work?
Author Archives: John McWade
Color type in three easy steps
Responding to our recent post about the LiebeDoni typeface and InDesign’s Glyphs feature, reader Jackie Ponderosa asked what tool or feature we used to color in the fonts to create the stained-glass look. Of course, different software will handle this differently, … Continue reading
